Five Element Sequences
by Zoltan Dienes and Mike Flanagan
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DISCUSSION
The major finding of this study was that there was no significant difference
in pain rating of a point whether it was preceded by stimulation of a point
as specified by the destructive cycle or as specified by the creative cycle.
It is sometimes argued that the strength of the cross point activation effect
depends on whether the points have the same yin-yang polarity or a different
one. In our selection of points, the successive points in each sequence
had the following yin/yang values:
| Target Point |
Destructive Sequence |
Creative Sequence |
| Water |
yang-yin |
yin-yin |
| Wood |
yin-yang |
yin-yang |
| Earth |
yang-yang |
yang-yang |
| Fire |
yin-yin |
yang-yin |
| Metal |
yang-yang |
yang-yang |
For those who believe that keeping the successive strikes the same polarity,
the Earth, Fire, and Metal cases would allow an advantage of the destructive
over the creative cycle to show most clearly, and Earth and Metal would
allow an advantage of the creative over the destructive cycle to show most
clearly. For those who believe that crossing over between yin and yang is
most effective, Wood and Water would allow an advantage of the destructive
over the creative cycle to show most clearly, and Wood and Fire would allow
an advantage of the Creative over the Destructive cycle to show most clearly.
In fact, despite these opportunities, no advantage ever emerged for either
cycle.
One might argue that it is only when striking points that the cycles produce
their effects. This is possible and would require further investigation.
However, the cycles are frequently cited when people grab, stroke or press
particular points, often with less intent and penetration than used in our
study. We find no evidence that even substantial presses to points activate
other points according to the destructive as compared to the creative cycle.
One limitation of the study is that we used just one target point per element.
It could be argued that the destructive cycle (or creative cycle) does not
generally apply - perhaps they only apply to special points, or under special
conditions. It IS clear that one can't simply list "destructive cycle"
as a "player" that can be incorporated into any technique. If
there are only special points to which the cycles apply, it would be interesting
to see accounts of these points developed.
The study was sensitive and could pick up small effects. This is illustrated
by finding that people gave a higher pain rating - by 0.6 of a pain unit
on average - the second time they were tested rather than the first. Since
the second time of testing was always on the opposite side of the body,
this is consistent with the claim of cross side activation, at least of
the same point. This is an interesting finding that deserves further investigation.
We can't be sure its a cross side activation effect, because this study
did not compare pain on a second testing between the same side and the opposite
side. Thus, any mechanism that tends to lead to higher second pain ratings,
regardless of side, is also consistent with the results. A prosaic explanation
could be, for example, that on the first rating people were a bit macho
and tried to show how tough they were. On the second rating may be they
felt they had already proved themselves and gave a truer figure. (NOTE:
This effect of second testing does not undermine the other comparisons -
e.g. destructive vs creative - because each sequence occured equally often
first as second. Further, an analysis of the difference between destructive
and creative sequences on ONLY the first time of testing showed a nonsignificant
result, p > 0.4.) A future experiment could look at stimulating the same
or related point a second time on either the same side or the opposite side
of the body to see if cross body activation is really important.
If cross body activation is important, the warning that one shouldn't train
both sides of the body in the same session still does not follow from our
data. One could increase pain a lot more than 0.6 of a unit simply by pressing
harder! We appreciate, however, that the claim is that one should not train
both sides of the body because of the disturbances that might follow to
one's qi, and increased pain is not necessarily a symptom of this. On the
other hand, to the extent that long traditions provide acceptable default
answers, in Yawara jujitsu, a tradition of pressure point fighting going
back hundreds of years, people train both sides of the body freely.
In the field of Kyusho-Jitsu the body of knowledge which constitutes TCM
is often perceived as a single coherent set of principles. In reality this
is not strictly true. TCM actually contains a number of inconsistencies,
in particular those between five elements and the rest of the body of TCM
(yin-yang polarity, fundamental substances, pernicious influences, principle
patterns, organ functions, etc.). Five elements arose as a separate and
distinct philosophical construct used to describe many different aspects
of the natural world and human endeavour. It was not until the time of the
Han Dynasty (206 BC - 220 AD) that the first known attempts to integrate
five elements into the body of TCM were made. Since that time the various
correspondences (and to a lesser extent the cycles) of five elements have
repeatedly been amended in attempts to attain consistency between the two
bodies of thought. However, it is fair to say that even now five elements
rests somewhat uneasily as an overlay upon the principles of TCM. For instance,
in five elements the heart corresponds to fire (yang) and the kidney to
water (yin). In TCM, however, the kidneys are considered to be the foundation
of both water (yin) and fire (yang) for all the other organs. There are
yet other theories for the function of the points based on the flow of energy
down the channels with different theories proposing flow in different directions.
Modern clinicians do not necessarily have problems with these sort of contradictions.
In terms of diagnosis some clinicians tend to favour the (strictly) TCM
model (which seems to be more popular in China); others favour the five
elements model (a view more popular in the West); yet more tend to use whichever
of the various models that seems most applicable to the particular client
being treated. (For further discussion relevant to these points see "Chinese
Medicine: The Web that has no Weaver" by Ted J Kaptchuk and "Traditional
Acupuncture: The Law of the Five Elements, 2nd edition" by Dianne M
Connelly.)
Our view of five elements is that it is not a science that provides predictions
and explanations of effects in kyusho jutsu. It is a set of metaphors and
images and a language for expressing intuitions honed after years of training.
Images can be very important for generating further ideas, possible moves.
If the moves don't turn out to be effective, they can be rejected. If the
moves are effective they can be added to ones repertoire, and in that way
five elements serves a valuable function for those attracted to it. However,
this function might well be performed, equally effectively, by other non-scientific
methodologies.
Our results are consistent with the claim that it is not necessary to possess
any knowledge of TCM theory in order to fully develop one's ability as a
practitioner of Kyusho-Jitsu. This corresponds to our personal beliefs.
But the data in no way undermine TCM more generally. Historically, Chinese
medical theories were very useful in indicating WHICH points were useful
ones for attacking. (They also specified times of the day best for attacking
each point, although Vince Morris in his book "Kyusho Secrets"
reports finding no correspondence between time of day and sensitivity of
points). Mike employs TCM and five elements extensively in his Shiatsu practice.
Our data simply call into question a particular use of TCM, a use that is
not necessitated by the ideas of TCM itself.
This Article was taken with permission from www.ussu.net/shotokan.
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